And yet, I’m not sure I would hop onto a different timeline in the hopes that his career would pan out any differently. On the other hand, he’s still unknown by the public at large as he has only helmed one project of his own, and being attached to a mass-produced entertainment factory like Bushiroad means that he’s not exposed to a likeminded arthouse audience but rather younger viewers who aren’t used to his nonstandard methods. On the one hand, he’s being celebrated by industry icons and anime’s most reputable journalists as a disruptive director, so committed to his unique vision that he can bring avant-garde animation to an increasingly more restrictive commercial scene. Right now, Furukawa occupies a curious position. That would be formulated into a line uttered by the characters as a lead-up to that final film, as well across its runtime: “ we are already on stage”-a we that extends to everyone in front, within, and behind the screen. And thus, when the idea of a Revue Starlight follow-up was pitched to him, he quickly figured out the right angle to tackle the recap film Rondo Rondo Rondo and his spectacular Revue Starlight the Movie. In the end, the mom in the analogy is not just your audience, but also your crew, and to a degree, yourself. Oshii’s words even hit close to home when it comes to the realization Furukawa had as a newbie director: it’s not just the audience you have to keep engaged, but also the team making it. Much like Oshii, Furukawa is a well-read movie geek with the most eclectic set of influences you could possibly imagine, all of which he will enthusiastically repackage into his works as well. For starters, it emphasizes the power of presentation, the aspect he rightly believes to be his greatest strength. Those are the amusing words of living legend Mamoru Oshii, and something of a mantra for Tomohiro Furukawa, who began realizing just how strongly they resonated with him once his career as a director took off.Īfter all, that one sentence encapsulates his entire approach to the creative process. He reconstructs their teaching and his influences from countless fields into a unique thrilling style-that’s Revue Starlight The Movie, and what he calls experience-centric anime.Īn indispensable skill for a director is the ability to tell their mom about the movie they saw the other day and make it sound interesting. Tomohiro Furukawa draws from the philosophy and methods of living legends like Mamoru Oshii, Hideaki Anno, and his mentor Kunihiko Ikuhara.
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